Bijelo Dugme Flac

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28. Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28. Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28. September 2009, 8:08Bijelo Dugme / Eto!

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28. Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28. Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28.

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 28.

September 2009, 20:50Bijelo Dugme / 5.

Parni Valjak

Released12 December 1984RecordedStudio I, RTVStudio IV, RTVStudio RTVStudio Akvarijus,Length39: 07, Kamaradchronology(1983)Bijelo Dugme(1984)(1986)Bijelo Dugme is the seventh studio album by and band. Due to Bijelo Dugme's usage of 's famous painting Kosovo Maiden for the album cover, the album is unofficially known as Kosovka djevojka (trans. ).Bijelo Dugme is the band's only album recorded with vocalist, who came to the band as the replacement for.

Bijelo Dugme Flacco

The album is also notable for featuring the band's former member, who, after the album was released, became an official member of the band once again. The album was praised for the usage of computers and digital synths such as the emulator and waveterm. Even bregovic claimed that the use of such instruments increased their musical spher that columinated into the success of the album. Laza was known for reusing his equipment for the later album 'Pljuni I zapjevaj moja jugoslavijo'Bijelo Dugme was polled in 1998 as the 28th on the list of 100 greatest Yugoslav rock and pop albums in the book ( YU 100: The Best Albums of Yugoslav Pop and Rock Music).